The Markup: The Finale

The best long-form journalism involves a lot of red ink. An editor’s corrections, cuts, and revisions often go unseen by the public. Here at The Markup, our job is to dissect their choices.     Episode 6: The Finale   The Markup is coming to an end (for this season at least)! Our masthead is getting ready for… Continue reading The Markup: The Finale

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The Markup: Susanne Craig on Trump’s Tax Returns

The best long-form journalism involves a lot of red ink. An editor’s corrections, cuts, and revisions often go unseen by the public. Here at The Markup, our job is to dissect their choices.     Episode 5: Susanne Craig on Trump’s Tax Returns New York Times reporter Susanne Craig loves her mailbox. Mailboxes at the Times Metro section… Continue reading The Markup: Susanne Craig on Trump’s Tax Returns

The Markup: Unfounded

The best long-form journalism involves a lot of red ink. An editor’s corrections, cuts, and revisions often go unseen by the public. Here at The Markup, our job is to dissect their choices.       Episode 4: Unfounded Last month, the Globe and Mail published “Unfounded,” – a series that stemmed from a 20 month long investigation… Continue reading The Markup: Unfounded

The Markup: Migrant Dreams

The best long-form journalism involves a lot of red ink. An editor’s corrections, cuts, and revisions often go unseen by the public. Here at The Markup, our job is to dissect their choices.       Episode 3: Migrant Dreams Min Sook Lee is an award-winning documentary filmmaker. Her latest effort is called “Migrant Dreams”.  It follows the… Continue reading The Markup: Migrant Dreams

The Markup: Capturing Yellowknife’s Range Street

The best long-form journalism involves a lot of red ink. An editor’s corrections, cuts, and revisions often go unseen by the public. Here at The Markup, our job is to dissect their choices.       Episode 2: Capturing Yellowknife’s Range Street Yellowknife’s 50th Street has many names. Strange Range, the Gold Range, or simply Range Street. Lonely… Continue reading The Markup: Capturing Yellowknife’s Range Street

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