Covering Disasters Beyond the Eye of the Storm: Pull Quotes Season Three, Episode Seven

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On January 17, CBC viewers watched as 121 km/h winds blew Chris Murphy off his feet into a snowbank.

The reporter was broadcasting during a massive blizzard in St. John’s, Newfoundland. That day, the provincial government declared a state of emergency for the first time since 1984. Military personnel were called in to dig people out of their homeswhile cars were banned from the roads.

Luckily, after his slip, Murphy wasn’t injured and was even laughing at the scene. He says enduring these conditions goes beyond reporting how serious the situation is.  

“It becomes more about how are people coping with it … how do they prepare for it and the aftermath,” he says.  

Daina Goldfinger, an online journalist at Global News, discovered during her research into emergency reporting for the Ryerson Review of Journalism in 2017 that stories about the aftermath of natural disasters are exactly what’s missing from current reporting. She believes they are important to tell because injuries and damages don’t disappear right away. 

“These effects can go on for months, if not years, depending on the magnitude of the disaster,” she says. Her multimedia feature called Covering Disasters also looks into the ethics of emergency reporting, whether newsrooms are prepared to send reporters out into an emergency and how the industry can improve moving forward.

Goldfinger continues to report on natural disasters, including the record-setting floods in Muskoka in 2019.  A feature she wrote about the aftermath of the flooding describes people who were still in the hospital and whose homes were still destroyed. Experts also weigh in on the long-term mental health risks faced by survivors, and the financial devastation despite provincial finance assistance.

David Thurton, a national reporter in CBC’s Parliamentary Bureau, agrees that covering the aftermath is vital for the whole story. In 2016, he reported on the wildfires in Fort McMurray. He was surprised that residents were still eager to speak with him when they returned to their homes after the evacuation. “This story did not finish when the flames were out,” he says. The story follows how the city struggled to rebuild and how families were unable to go home, months later. Thurton’s reporting on the aftermath went well into 2019.

Ultimately, he believes that reporters need to be on the ground. “We need newsrooms that have the courage to just let reporters go out without a plan, without the story half-written,” he says. He also wants to see more constant coverage in remote communities, which means setting up permanent newsrooms where journalists spend significant time. He believes that important stories, like those of a disaster aftermath, cannot be told if community members don’t trust reporters; if they feel like they just fly in and out. “I think this is a model that maybe the public broadcaster needs to think about.”  

By Grace Wells-Smith 

Episode seven of Pull Quotes was edited by Tanja Saric and produced by Ashley Fraser, and guest produced by Grace Wells-Smith. Technical production help from Angela Glover. Pull Quotes’ executive producer is Sonya Fatah. 

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About the author

Ashley Fraser is the chief podcast editor at the Ryerson Review of Journalism. Before moving to Toronto in pursuit of her master of journalism, she lived in Vancouver, studying communications and sociology. She then worked as an associate producer at CBC Radio in Vancouver. She’s interned at the BBC World Service, CBC Radio in Toronto and CBC’s London Bureau in the UK.

Tanja Saric is the podcast producer at the Ryerson Review of Journalism. Her bylines have appeared in ET Canada, Ryersonian, Imprint, The Waterloo Chronicle and Riffyou. She has written music criticism, concert and album reviews, celebrity news and local issues around the Waterloo region. She is currently a freelance digital producer at ET Canada.

Grace Wells-Smith is a senior print editor at the Ryerson Review of Journalism. She is the assistant editor at The Dance Current magazine and is achieving her masters in journalism. Her features have been published by CBC and Intermission magazine. She is a former CBC investigative intern.

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